Abstract
This essay describes a comprehensive exploration of intricacies developed in making American-style second oboe reeds tailored specifically for orchestra performances. In the world of reed making, an oboe reed is a nuanced and complex procure, with much of the attention historically concentrated on making reeds for solo performance. Therefore, it is always a central topic for both non-professional and professional oboists in the world. There are two types of oboe reeds: European style and American style. This essay is specifically aimed at discussing the American second oboe reed. This essay involved in-depth interviews with full-time professional second oboists in major classical and opera orchestra settings in the United States. This essay is a guide to help people understand the process of making a second oboe reed. The techniques acquired through these discussions strengthen and enhance the goal of each meticulous reed-making method. This essay describes the different aspects beginning with selecting the materials and equipment choices, as well as the method of scraping, techniques, to achieve the exceptional quality required in the different orchestra excerpts for the second oboist.