Abstract
In recent times, there has been a need for the expansion of the trumpet repertory as a solo instrument, especially in works by Latin American composers. Based on experience, some of the most performed trumpet concertos are not from any composers south of the United States border connecting with Mexico. This paper focuses on the work of Mexican composer, Arturo Marquez, who showcases the colors of the trumpet as a solo instrument in his "Concierto de Otoño" (Autumn Concerto), written in 2018.
This essay will provide: Biographies on Arturo Márquez and Francisco Flores (trumpeter who premiered the piece), an overview of the concerto, pedagogical ideas for those wanting to learn the piece, and information about the commissioning process. This includes the experiences of the parties involved in the process during the time while composing the piece and also what went on in making the project a reality. This paper will also include a brief musical/theorical analysis of each one of the movements in the concerto, as well as information about suggested equipment for each piece; including the review of the possibilities for performing these concertos without having to purchase new instruments.