Abstract
This research project aims to shed light on a large array of works for viola from the USSR, which have existed outside the worldwide radar of violists, musicologists, and audiences. Many works were composed for viola within the 75-year-long Soviet Era by composers of all schools and generations, ethnicities, and styles, in a geographic area that covered about half of Earth’s land surface. Some works share similar characteristics, due to the instrumental qualities of the viola and the musical topics associated with it, while others reflect on more individual approaches and preferences of the composers. Accompanying a series of recitals that cover some of the Soviet viola works, this written dissertation serves as the first official catalogue for more than 300 original compositions, provides the readers with historical information on the Soviet viola community, and analytical and instrumental insights to help programing choices and allow a deeper understanding of the repertoire. It aims to provide the needed holistic background for further academic research and artistic engagements, and bring historical justice to forgotten pieces of art, neglected composers, as well as overlooked performers and traditions.