Abstract
This brief article examines some of the theoretical questions raised by aesthetics. Paintings have not only form and content, but are underpinned by philosophical principles that connect art to gerontology. We examine specific theoretical messages of a trend in art that have important implications for conceptualizing humans, including their interactions and surroundings. Three artists are used to illustrate this trend: Cezanne, Picasso, and Pollock. These and other artists of this century foster a heightened awareness of humanistic concerns. Caught between abstract reason and expert systems on the one hand, and the life worlds of older people on the other, gerontology finds itself in a place where art can speak to its deeper concerns in unique ways.